Yanny Petters

Botanical Artist

Yanny Petters is a botanical portraitist from County Wicklow in Ireland. She works exclusively from life, either in her studio in Glendarragh, Newtownmountkennedy, County Wicklow, or out in the midst of her subject's habitats. Yanny paints in a variety of media, including oils and water colours, and she produces exquisite drawings and fine art nature prints. She also specialises in Verre Églomisé, or painting on glass, an old and rare technique she has been developing and adapting to suit her plant portraits since her years working as a sign writer in the 1980s. Her paintings are in a number of important collections including the Dr. Shirley Sherwood Collection at Kew Gardens, London, and the Office of Public Works in Dublin. She is a member of the Irish Society of Botanical Artists, the Water Colour Society of Ireland and the Dublin Painting and Sketching Club.

“Come with me, I’ll show you something beautiful”

“Komm mit mir, Ich zeig' Dir ‘was Schönes”.

Yanny's solo show at the Olivier Cornet Gallery October/November 2016.

Twelve glass paintings inspired by and in memory of the artist's mother Wilma Petters.

Teasel for Finches (November)

159cm x 48cm  2015

Top: Bluebells (May)

57cm x 34cm 2015

 

Bottom: Rosehips with Palm Fronds (October)

60cm x 38cm 2016

More information at www.oliviercornetgallery.com

 

Group show, 'Republic' at the Olivier Cornet Gallery July 2016

 

I chose to depict the Easter Lily in Verre Églomisé as I wanted to reflect the nearness of Harry Clarkes' studios at 33 North Frederick Street, just around the corner from The Olivier Cornet Gallery. The Clarke Studios were damaged during the Easter Rising. The St Gobnait window, in the Honan Chapel in Cork, was in the making at the time but thankfully was not damaged. Clarke's works for Coleridges' Rime of the Ancient Mariner were destroyed at the time.

 

My technique picks up on the drawn designs for stained glass, known as Cartoons, the translucence and use of deep blues and the use of seemingly random devices to 'fill' small spaces between designs which are part of Clarke's work. The designs in acid etch indicate a shadow of the Arts and Crafts Movement which spanned the period from 1880s to 1925. All in all the piece is inspired by the meanings attributed to The Easter Lily which were the reason for Cumman Na mBan's use of it as a symbol of remembrance for those who died during the Rising.

 

Click here for more information.

 

Calla Lily   Easter Lily

Verre Églomisé/painting on glass

80cm x 28cm

Yanny Petters 2016

WATERCOLOUR SOCIETY EXHIBITION PRIZE

Yanny was thrilled to be awarded the Whytes Auctioneers prize at the Water Colour Society of Ireland's annual exhibition in September 2015 for  painting of a Calla Lily. The award was presented by Ian Whyte.

SUCCESS AT BLOOM 2015

Yanny was awarded a gold and bronze medal and a Best In Show commendation at the third annual Botanical and Floral Art in Bloom exhibition at Bloom 2015, the flower and garden show held in Dublin every June bank holiday. The gold medal (and Best In Show) in the floral category was for her block print 'Meadow with Plantain and Speedwell'. The bronze medal in the botanical category was awarded to her watercolour study 'Apple Malus'. Yanny was thrilled and honoured to receive these accolades for her work, particularly as she has been experimenting with block printing techniques.

Yanny with her gold medal & best in show winning print.

Yanny's bronze medal winning watercolour 'Apple Malus'.

RECENT COMMISSIONS

In 2014 Yanny was commissioned to produce a set of three Verre Églomisé or glass paintings, Bee Orchid, Marsh Helleborene and Robin's Meadow. They can be viewed in more detail in the Glass Paintings Gallery.

Yanny is thrilled to announce that her Marsh Marigolds painting won a silver medal at the Bloom Botanical Art Exhibition 2014. Bloom is Ireland's largest gardening, food and family event and it is a great honour to be win an award at this event.

Two of Yanny's paintings on glass, 'An Irish Meadow' and 'Common Moss' were selected for the exhibition of works from the Shirley Sherwood Collection Botanical Art In The 21st Century in Kew Gardens, London, which was held from February 6th to August 10th 2014.

An Irish Meadow

Painting on Glass 2004

79cm x 41cm

 

Including:

Ribwort Plantain Plantago lanceolata, Narrow-leaved Bird’s Foot Trefoil Lotus tenuis, White Clover, Trifolium repens,

Brown Bent, Agrostis canina,

Slender Brome, Bromus lepidus,

Moss, Eurynchium praelongum,

 and other grasses.

 

Common Moss  Polytrichum commune

Painting on Glass 2003

45cm x 45cm

 

Two of Yanny's works, 'Wild Strawberry' and 'Self Heal', which were acquired by the Office of Public Works (OPW) during her 'Floral Alchemy' show at the Olivier Cornet Gallery in 2013, were selected for the 16th Art of the State Exhibition 2013 'Encounters'.

 

'Encounters' is part of a series of annual joint art exhibitions organised by the Department of Finance and Personnel (DFP) in Northern Ireland and the OPW in the Republic of Ireland with 40 works (20 from each collection) selected from both collections. Each art work was paired with one from the other collection, creating a dialogue between the pairings.

 

The exhibition toured Ireland by travelling to four destinations, two in Northern Ireland and two in the Republic. Destinations were Derry, (City of Culture 2013), Lisburn, Cork and Limerick.

 

'Wild Strawberry'

'Self Heal'

FLORAL ALCHEMY

An exhibition of Yanny's latest Verre Églomisé panels depicting selected Irish wild flowers and plants was held at the Olivier Cornet Gallery, 1 The Wooden Building, Exchange Street Upper, Temple Bar, Dublin 2 between April 24th and May 24th 2013. The exhibition was opened by Dr. Hilary Pyle, HRHA.

 

You can learn about Yanny's use of the Verre Églomisé technique and its fascinating history by clicking here.

 

 

An interesting and flattering comparison...

 

In 2012, as part of her diploma course run by the Society of Botanical Artists, Julienne Hanson wrote an essay wherein she makes a comparison between Yanny's work and that of the great Albrecht Dürer. You can read the essay here.